First of my only experience with finishing has been several floors. I am writing because I had wainscoting that was glued to the wall, along with wallpaper glued to the bare drywall. Unfortunately I made the decision to leave the wainscoting and sheetrock above it. The wainscoting was way too orange after the wall and floor were finished. I spent countless hours trying to find a solution. At one point I went out and bought stripper, but realized sanding and possibly having to bleach the oak beadboard wainscoting and the other oak in the room, was not feasible or worth the effort here. I started to follow some advice I found , but I tinted the Zinsser SealCoat with some black and green dye, that was recommended as a universal sealer. I really liked the results on the wainscoting and trim in the room, darkened up great. I ordered some Raw Umber Jet Spray from Woodcraft, following the advice and hoping this would also tone down the orange. Somehow my order of Jet Spray was lost, so I put another coat of the tinted Zinsser SealCoat on everything, hoping that this would be good enough. The wainscoting and trim are nicely darkened, but my problem is now the thick oak crown molding in the room. I cannot get the tinted Zinsser SealCoat to apply uniformly on the crown molding no matter how cautious I am (it doesn’t help that I am extremely short and have to stop to move the ladder often and those crazy stilts my husband has were a nightmare). So I am wondering if I can sand with something very fine like steel wool to even out the crown molding, or maybe apply a tinted poly, like minwax polyshades? Maybe I could thin out a dark color of polyshades, but I am worried that stuff won’t go on uniformly either. I am also wondering if I can sand then tint a wipe-on poly, like the one from minwax, and use that to get a uniform dark color? Or should I try the Jet spray now? I don’t mind the woodwork getting darker, but not opaque, I could just paint it all black which at this point is still an option. Any advice would be greatly appreciated.
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Thank you for your time, Anonym (aka: idiot for keeping the wainscoting)
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Replies
idiot for keeping the wainscoting ?? Why? I would have done that and be in the same spot as you..
I guess if it 'were me' I think ALOT on how important it is to match the floor.. Some may insist but Is it worth it?
I'd do something stupid.. Sort of like get that Blue tape... Tape off the molding on one side of the room and paint it whatever color you think will be 'nice'..
Stand back and take a good look at it in different light in several days...
Then decide if you like the look.. DO NOT do it the same day.. Take the time to decide..
Just me...
Anonym,
(Please sign your next message with a real name. We all promise not to blame you for anything! We have all been there! There are no dumb questions or dumb actions. The willingness to learn is all that's important in life)
Here's a very sincere suggestion. Call a friend over and have him or her look at the room. Don't coach. Ask for an opinion in general about the appearance of your woodwork. I think you will be amazed that others will not see the faults that are so blatantly "obvious" to you. We often get too close to the work to be objective or fair to ourselves.
Then call the faults to your friend's attention. He or she will probably acknowledge some variation in tint or color, but will find it part of the character of the work and not at all objectionable.
I know every flaw in every piece of furniture I have built. Every piece of hardwood on my floors, every stone in my walkways. Right after I'm done, they look so obvious. Sometimes I feel like apologizing for them. But no one else can see them! And if I ignore them for a while, they disappear and I find it very hard to relocate them.
Rich
Don't know if this will help now--maybe for future--if you use the complimentary color, it tones down (makes it less intense) the color you put in on. So, in your case, wiping a transparent color of blue (like artists' oil paint--Pthalo blue is transparent) would help the orange become more neutral brown.
I believe if you use Gel Stains (Minwax sells a line that can be purchased at HD) you can darken the tone of the crown moulding even if it has a finished topcoat over it. The gel will allow you a little more control without dripping and spilling, and you can wipe it off and reapply to areas that don't seem to go on as "uniformly". However, I would assume you'd still need to seal over the stain after application and sufficient drying time.
Not sure if this is a better solution than the polyshades, but I've never worked with the polyshades before so I can't comment on their application characteristics.
Thank you for your replies. I think Rich is right, after I looked at it again it is not as awful as I thought. I sanded it lightly and it looked even better. Not good enough yet though.
When I mixed the black and the green dye it looked very bluish in the universal sanding sealer, it worked very well on the wainscoting and trim. It looks way better with the dark wood floor. My goal was to darken, thus the black, and tone it down; I don't know why I went for green instead of blue dye. I could've avoided the whole thing if I had matched the existing woodwork to the new floor, but I wanted dark red walls; red and orange, yuck. Yep, it's a really dark room at night, but looks good with the big windows in the day.
Speaking of walls, has anyone ever heard of putting polyurethane on painted walls? I thought I was buying good paint, Consumer Reports said so! But that red (about five coats now) just streaks if I wipe it at all. So finally, I contacted the paint company, they said I should sand them lightly, then polyurethane them, and they will pay for the polyurethane. I have been putting it off for almost a week. I've done a lot a coats of polyurethane, on a lot of floors, but never found it to be easy (too worried about bubbles, dust, hair, etc.). I'm having a hard time imagining myself doing the walls.
Anyway, it just worked out that i am going to have to tackle the walls before I fix that crown molding. I know it should've been the other way around. I bought some oil-based wipe-on poly, and I decided I will tint it. I bought some japan colors to tint with, and I hope that was the right choice because those little cans are spendy. I'm guessing a little goes a long way. Just hope they have a long shelf life. I've never used a wipe-on poly, but I am hoping it will be easy to work with in such a awkward position.
But, I am starting to wonder about Jay's idea of Gel Stains. I guess I was trying to avoid the highly detail work of darkening the lighter areas, without darkening the darker areas. I was hoping for just one more coat of a uniform dark color to even things out. Maybe I should get some Gel Stain and (without being too much of a perfectionist) go over some of the light areas, then use the tinted wipe-on poly. That might lessen the chance failure of my wipe-on poly idea; I don't want the darker areas to get just massively darker. Though, like I said earlier it is not that bad, no big globs or anything.
Thank you all again, I really appreciate the input!
Danette
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