Hello all,
New here and this is my first post but it’s a mighty big one!!
I have a railway sleeper, oak about 8 foot long, 12 inches by 6 inches in cross section.
I want to sculpt a twist out of it, making it into a giant flame, yup I pick the easy projects to start with, you should see my next one that incorporates a TV into a bench with a raising mechanism made out of an electric car window!
Anyway, I digrese, my question.is I’ve tried time and time again to put the basic cuts into a test peice of wood to make my spiral, but every time I try I end up cutting the thing in half, does anyone have any advice they can offer me on how to cut the spiral?
thanks in advance
Blue Skies
Iain
Replies
Start by carefully drawing the spiral -- and note that you'll probably want two separate spirals.
Then use an angle grinder with one of those chain-saw wheels to rough out the shapes.
Follow that with progressively finer 'grits' of abrasive wheels.
Have fun -- and if it all works, post a picture for us.
Support our Troops. Bring them home. Now. And pray that at least some of the buildings in the green zone have flat roofs, with a stairway.
Thanks for your help, I'll take a few photo's along the way and show everyone how I got on!
Misky,
I suppose the technique could be likened to carving a flame finial. You'll want to hew the timber into a cylinder first, then lay out the spiral. If you are wanting a regular corkscrew type twist, divide the shaped cylinder into as many lengthwise segments as you want flutes. Then divide the length into as many crosswise divisions as you want amount of twist: i.e. three lengthwise lines, equally spaced, and three crosswise divisions equal one full turn, six crosswise divisions will give a "faster" two turn twist. Draw your spiral lines by freehanding a curved line from one intersection of the lengthwise and crosswise lines, to the next one, moving diagonally.
Dish or scoop out the spaces between the spiral lines, using whatever tools are appropriate.
The shape of the cylinder will determine the shape of the end result.
Ray Pine
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