I have a beautiful gift set of wooden figures, carved in Malawi, Africa, out of some sort of exotic wood I cannot identify. They have some sort of whitish substance on the surface in a few places that wipes off easily but which comes back after a few days. It’s almost as if the carver had finished them with some product that acts like it is oxidizing. Any suggetions?
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Replies
could it be an oil or wax coming out of the wood?
Mike
My guess is that it's some sort of wax... it doesn't seem to me that it would be something natural to the wood. Any suggestions as to how to stop it?
Ed,
Can you show us a photo?
Bill Arnold - Custom Woodcrafting
Food for Thought: The Ark was built by amateurs; the Titanic by professionals.
I do a lot of photography and the "white stuff" is in so few places on the figures that I am quite sure it wouldn't show up. And I don't think you would know a lot more just seeing a picture. It's just white, not really powdery, but comes off very easily. It just keeps coming back.
You're really testing my geography memory, but I think Malawi is a coastal country. Makes me wonder if the white stuff could be salt leaching out of the wood as a result of sitting in seawater at a coastal port before being milled into wood that your carver got his hands on?
Douglas, what would you do if you suspected it to be salt? (Malawi itself is not on the coast, but it isn't far and the wood could well have come from some coastal area.)
Boy. I don't have a clue what you could use to stop it, if it is salt. What you were seeing sounded so out of the norm, I just had to wonder if it wasn't something that the carver didn't consciously do while working or finishing the wood. What made me think of it was an experience with chemical preservative leeching out of some otherwise beautiful clear cedar that was given to me by a telephone company employee salvaging some downed phone poles. I spotted it before I had wasted any time building anything out of it, and I just ended up using it as firewood.
Douglas, I wonder about coating the figures with Deft (satin)...that won't show brush marks and might stop anything further from coming out of the wood. (I still think it's probably something the artist rubbed in to provide the nice patina they have.) What do you think?
Well anytime I'm trying to use something as a barrier coat, my first thoughts lean toward dewaxed shellac. It's usually pretty forgiving in terms of what it will work over (and under). The Deft might work fine. But not knowing for sure what the white stuff is, makes trying any finish over it somewhat of a crapshoot.
I have both Deft and dewaxed shellac in the shop...I'm sorely tempted! However, I think I'll wait a little and see if any other woodworkers have a suggestion or to. Meanwhile, thanks for your input.
If it was salt then given that salt is deliquescent, it wouldn't stay for very long as a white powder but would attract enough moisture to form a solution.
IanDG
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