I’m in the process of building the Porringer-Top Tea table from the June issue. I love the fact that your magazine used the same project in the finishing line column – nice touch.
However, I’ve gotten to where I really like to pad shellac (after a thin coat of b.l.o and finishing with wax). Because I’m padding on the shellac, I try to do as much finishing as possible before assembly (so that I can work on flat surfaces – where possible).
My dilemma is the transition block which must be glued to the leg and the apron.
Can you see a way to pad the shellac as much as possible before assembly (possibly taping off the area on the apron where the transition block will be glued, pad the shellac on then assemble – or some other process that I may not be thinking of), or should I just go ahead and assemble everything and brush on the shellac?
Any advice greatly appreciated.
– david wolfe
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Replies
david,
Padding on the shellac before assembly can make life easier.
When I get into areas that a pad would be difficult to work with, I use a brush called a mop. It has a rounded bristle that is shaped like a mop, thus the name. You can find them at good art supply houses or on line.
Another option that is great for brushing shellac is a flat bristle Taklon. The bristles are red and very fine. It will also lay down a very thin coat with out problem.
Both of these brushes will lay down a coating so fine and flat, you would be hard pressed to see the difference between it and the padded area. Just be sure when you load the brush you remove most of the excess. You'll be surprised at how much is still there.
Another reason I like to use a mop is the bristles have a memory. If I am using it to lay shellac say in a molding and I need the bristles in a point, at the end of the day I'll shape it like that and let it sit. The next day when I reactivate in alcohol, the shape is there. Conversely, if I am working it in a flat area, I can flatten the bristles at the end of the day.
The mop I am speaking of here is squirrel hair. It is not cheap but as with many tools, you get what you pay for. These brushes are made in Germany and will run between $15 and $30 depending on size.
There are many varieties out there and I'm not trying to sell you on anything in particular. Just giving you some options. Check out New York Central Art Supply. As far as I know they have many types and varieties of brushes.
Good luck.
Peter
Peter,
Thanks for your help.
That sounds like great advice. I think I'll start with the mop brush.
I now feel more confident in doing the finishing work - post assembly.
Thanks again, (I hate to think how many of these kinds of questions you get).
- david
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