I am thinking of resawing some ash to approx. 1/8″ thick veneer and then gluing it to a plywood or other wood substrate to make a video cabinet. I have two questions – (1) can I use regular Titebond II or III glue to attach the veneer? Or, would a contact cement be better? I do not have a veneer press (and don’t plan to buy one), and (2) is 1/2″ or 3/4″ plywood a good substrate to use, or should I use a solid wood (like poplar or something else)? Thanks. Mel
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When veneer gets to 1/8", it starts to act like real lumber and will distort. Keep the thickness to 1/16" and veneer both sides.
You can use Titebond, the open time will force you to work quickly. Urea formaldehyde will give you a longer working time and require heat to cure faster. Never use contact cement. http://www.veneersupplies.com has well priced adhesives that will perform the way you want. Their cold press veneer glue is very stable and has less creep than Titebond.
mdf of any thickness is the way to go, stable and cheap. You can use cauls and clamp, no real need for a veneer press. It does make multiple glue ups easier and quicker though.
Thanks. MDF is a good idea - I forgot about it - but, is it still necessary to apply the veneer to both sides if I use MDF? Thanks for the lead on the veneer website.
If you're reducing the
If you're reducing the thickness of the veneer and the MDF is anchored down - I would say you don't have to veneer both sides -
However generally it is a better method when veneering to do both sides.
SA
And if I said venner just one side and sal the back and egges from moisture> Especiallay the edges?
Yes... veneer both sides. And I usually prefer Armor-ply as a substrate.
Always veneer both sides. Even 1/42" veneer will curve mdf.
Edge treatment is optional. There are many ideas for edges, a search will give you good ideas.
Another substrate option is Medex, an mdf made with moisture resistant glue that stays stable during glue up. This is a good idea if you are clamping. The addition of moisture in glue to mdf can make it curl.
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