Proportioned for a child, this chair was made to go with a drop-front desk posted elsewhere in this gallery. Both the desk and chair were gifts to my then-5-year-old granddaughter. Built for comfort and durability, the chair has a dowel-mounted, self-adjusting backrest. Since it was constructed to complement a desk made for a child’s artwork and supplies, the chair is also sculpted for aesthetic appeal. The influences of Sam Maloof and a touch of Tage Frid, evident in the design and details, are gratefully acknowledged. Like both the desk and the child, the chair is aging beautifully. Cherry. Oil finish.
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Both the seat and backrest are made of bookmatched, figured cherry. All components are cut from the same plank.
Legs are joined into the seat, fastened with screws and glue, then sculpted to appear as if they grow out of the seat.
All joints in the chair base are fitted, screwed, glued, and sculpted to yield both rounded and curved surfaces.
Sculpted folds lend a lighter touch to a very solid fitted, screwed, and glued joint between the seat and rear legs.
The curved and slightly-tapered back support is dovetailed snugly into the seat, secured with screws and glue, and shaped to flow into the rear underside of the seat.
Beautiful chair, with great intentions. Great craftsmanship, wish I could see it in person! Love the aesthetics of those sculpted folds in the legs; nice touch.
With its graceful curves, cabriole legs, and ornamental back splat, a Queen Anne side chair is a bucket list build for many woodworkers. Dan Faia had a very specific Queen…
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Comments
Very beautiful work! All I can say is WOW.
Beautiful chair, with great intentions. Great craftsmanship, wish I could see it in person! Love the aesthetics of those sculpted folds in the legs; nice touch.
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